craft of writing resources essay

2012. Wurth, Erika T. "The Fourth Wave," Waxwing Magazine (2015). A former computer programmer and a Kundiman poetry alumnus, he holds an MFA in Creative Writing from UC Riverside and a Ph.D. in Literature & Creative Writing from USC. Added essay by Octavia Butler. “Degrees of Diversity: Talking Race and the MFA,”, Nguyen, Viet Thanh. 2011. (Dec 3, 2016). 2007 (reprint). “MFA vs POC Response,” Speak No Evil Forum, Mura, David. “Year One,” Speak No Evil Forum. Salesses, Matthew. Salesses, Matthew. 2002. ", Ali, Kazim. Structurally, persuasive writing can overlap with discursive writing. [$5]. Aug 2017. Barot, Rick. González, Rigoberto. Perez, Craig Santos. "The Importance of Literary Community." A Phone Call from Paul (podcast). Graywolf. Oct 2017. Mura, David. Upper Rubber Boot Books. A Phone Call from Paul (podcast). 2001. Harvard University Press. Aciman, Andre. “On the Response to Junot Diaz’s ‘MFA vs POC'” (blog). Jul 2010. "Delusions of Whiteness in the Avant-Garde,", Waniek, Marilyn Nelson. "The Ode," in Radiant Lyre: Essays on Lyric Poetry, edited by David Baker and Ann Townsend. Jul 2005. On Race Appropriation (MDH / 'Yi-Fen Chou' BAP 2015 Scandal). Perez, Craig Santos. “Nora/Laura.” Warren Wilson MFA Lectures. González, Rigoberto. Thank you Atlas Review for assembling this list of resources for Black Writers, Presses, and Literary Organizations. Or are the books and essays out there, but we don’t know where to find them? “On the Response to Junot Diaz’s ‘MFA vs POC'”, Capó-García, Paola. The rough spots, it is usual to mention the smooth velvet on rose petals. “CW Workshop & Trump: 7 Things I Teach,”, Salesses, Matthew. Of Color: Poets’ Ways of Making An Anthology of Essays on Transformative Poetics. "Needing Noise to Write (and Other Revelations). Perez, Craig Santos. Reprinted as “Positive Obsession” in Bloodchild and Other Stories. Kingston, Maxine Hong. “MFA vs POC Response,” Speak No Evil Forum. Phillips, Carl. [2015-01-11] Espinoza, Alex. Young, C. Dale. The introduction of the new syllabus has meant that on top of learning new texts, there is also a new layout and exam style that you need to become familiar with. “Confession and the Model of George Herbert.” Warren Wilson MFA Lectures. Picador. Hongo, Garrett. Grove Press. “POC vs PLOT: The MFA, Chipotle Chips, and Narratives We Crave,”, Kantor, Roanne. New Directions. Lorca, Federico Garcia. Huey, Amorak and Todd Kaneko. “from Unincorporated Poetic Territories,”, Perez, Craig Santos. Lit Hub. So how do we move forward? Phillips, Carl. [2014-05-05] Mura, David. Literary Hub. Falconer, Blas & López, Lorraine (editors). Van. “POC vs PLOT: The MFA, Chipotle Chips, and Narratives We Crave,” Ploughshares. Paz, Octavio. Added links to responses to the MDH / Yi-Fen Chou 'yellowface' scandal. "The Poetry of Superstition and Supposition," Academy of American Poets (04/15/2014). You will have practice and guidance writing in both non-fiction and fiction modes. "On the Hauntings of History." “MFA vs POC Response,” Speak No Evil Forum. “The Poetics of Mapping Diaspora, Navigating Culture, and Being From,”, Poddar, Namrata. Wurth, Erika T. "The Fourth Wave in Native American Literature," The Writer's Chronicle (2016). “MFA vs POC Response,” Speak No Evil Forum, Asian American Literary Review. "Owning the Masters," Gettysburg Review (1995). “We Need New Metaphors: Reimagining Power in the Creative Writing Workshop,”, Lee, Christine Hyung-Oak. Butler, Octavia. “from a Poetics of Continuous Presence and Erasure,”, Perez, Craig Santos. In such settings, feedback tends to be grounded in the assumption that the "reader" is white and imply that their appetites and approval require particular handling, placating, or self-mutilation to appease. [2015-04-21] Mura, David. At the heart of the MFA vs POC discussion is the contention that any discussion of craft does not take place in a vacuum -- that race is part of one's lived experience and how we see ourselves and are seen does impact how and what we write. "Whitewashing American Hybrid Aesthetics," in The Monkey & The Wrench: Essays into Contemporary Poetics, edited by Mary Biddinger and John Gallaher. Youn, Monica. Indd 26 published insight to what may seem a bit of landscape-decide whether it is actually able to help explain the point of space that lay lightless between the usages. James, Marlon. you will produce texts that are persuasive and discursive (more on this later). Igloria, Luisa A. Conversations with Audre Lorde. This following list is an expansion of a post I started on my own blog to catalog what writing resources are out there that have been written, edited, or presented by other writers of color (if you are aware of other texts, essays, and resources that should be listed, please post in the comments and I’ll add them in). Dawes, Kwame (editor). "When White Poets Pretend to be Asian," The New Yorker. 2005. 2006. Jordan, A. "#ActualAsianPoet Claps Back at White Poet Who Used Asian Pen Name," Colorlines. [$5]. Jan 1998. Ben-Oni, Rosebud (editor). 1996. Perez, Craig Santos. Salesses, Matthew. [2015-10-11] Yu, Timothy. "Consider the Badger," Entropy Magazine. U of New Mexico Press. Forthcoming. "Cante Moro," in Disembodied Poetics: Annals of the Jack Kerouac School, edited by Anne Waldman and Andrew Schelling. Sep 2017. Writing an essay is like making a hamburger. 2018. Poetry: A Writers’ Guide and Anthology. [2015-10-09] Ha, Thu-Huong. Last updated: 15 Sep 2020 “MFAoC,” Speak No Evil Forum. Alexander, Meena. U of Akron Press. The Coin of the Realm: Essays on the Life and Art of Poetry. “Poems and the Impure.” Warren Wilson MFA Lectures. To Be the Poet. [$5]. 1998. [2015-01-11] Joseph, Janine. "Thinking Through the Yi-Fen Chou Affair,", Zhang, Jenny. Jan 2012. "Thinking Through the Yi-Fen Chou Affair," The Trivedi Chronicles (blog). [2015-01-11] González, Rigoberto. The Shock of Arrival: Reflections on Postcolonial Experience. A Phone Call from Paul (podcast). "Great Poets Who Are Actually Asian and Not White Guys Pretending to be Asian," Quartz. Sister Outsider: Essays and Speeches. Remembered Rapture: The Writer at Work. [2015-01-11] Weaver, Afaa Michael. [2014-05-22] Peña, Daniel. Tan, Amy. 2017. hooks, bell. [$5]. 2016. Morrison, Toni. "The Near Transitive Properties of the Political and Poetical: Erasure,", Tan, Amy. “The Sea and the Zebra: Visual Effects in Poems.” Warren Wilson MFA Lectures. “Addressing the Too-White Problem: A Response to Junot Diaz’s ‘MFA vs POC’ Critique,”, Peña, Daniel. "They Pretend to be US While Pretending We Don't Exist," Buzzfeed. “MFA vs POC Response,” Speak No Evil Forum, Asian American Literary Review. In some respects this is really another part of a longer discussion around the violence and erasure of POC experiences and writing in many contemporary MFA writing workshops. "On Tenderness, James Baldwin, and Trying to Write About Refugee Experience." The Bow and The Lyre: The Poem, The Poetic Revelation, Poetry and History. Diaz, Junot. Race and the Avant-Garde: Experimental and Asian American Poetry Since 1965. [$5]. “Degrees of Diversity: Talking Race and the MFA,” Poets & Writers. Jul 2016. A Phone Call from Paul (podcast). If you’re writing a full 20 mark response, sketch out your 2-3 part plot structure or your essay structure If you’re responding two a two part question, think about the full plot of your narrative and then decide where you’ll stop Note the technique or device you need to employ (eg. 1994. A key step is becoming better educated about what is and isn't out there already. [$5]. 2005. The Siren and the Seashell and Other Essays on Poets and Poetry. Nezhukumatathil, Aimee. Lorde, Audre. “An Examination of Two Poems by Kenneth Koch and Frank O’Hara.” Warren Wilson MFA Lectures. Ward, Jesmyn. Tabios, Eileen (editor). Smith, Tracy K. "On God, Poetry, and Parenting in New York City." Perez, Craig Santos. Abani, Chris. Breaking the Alabaster Jar: Conversations with Li-Young Lee. When the Rewards Can Be So Great: Essays on Writing and the Writing Life. June Jordan's Poetry for the People: A Revolutionary Blueprint. Black Lightning: Poetry-in-Progress. BOA Editions. Do you need to begin in … Phillips, Carl. It involves writing pieces inspired by texts that have been taught in class and also possibly reflecting upon these creative decisions with a reflective statement. “Don Quixote and Huckleberry Finn: Partners in Crime.” Warren Wilson MFA Lectures. “On Writing from the New Oceania,” Ottawa Poetry Newsletter (11/24/2016). University of Alabama Press. The list below will help you pinpoint the OWL’s resources that will be most helpful for you according to the kind of writing you need to accomplish. Crossing Press. “Year One,” Speak No Evil Forum, Asian American Literary Review. Lit Hub. Stanford. Perez, Craig Santos. 2018. Jul 2012. [2015-01-11] Xu Xi, “The Writing Race,” Speak No Evil Forum, Asian American Literary Review. Barot, Rick. 2017. Broadly speaking, the role of the student is to develop and refine their writing skills, whether that be creative, discursive, persuasive or otherwise. Creative writing resources ks3 for write my business plan for me uk. 1998. 2011. “MFA vs POC Response,” Speak No Evil Forum, Asian American Literary Review. Lee, Li-Young. [2017-11-27] Lee, Janice. University of Arizona Press. “Anatomy of Contemporary Elegy.” Warren Wilson MFA Lectures. "Amy Tan's Lonely 'Pixel-by-Pixel' Writing Method,", Wurth, Erika T. "The Fourth Wave in Native American Literature,", Hong, Cathy Park. Aug 2017. [2015-09-14] Cheng, Jennifer S. "What's in a Name?," Guernica. The Critical Flame: A Journal of Literature & Culture (04/06/2017). The difference is in the purpose. [$5]. Writing is a craft. Think of the introduction and conclusion as the bun, with the "meat" of your argument in between. [2015-09-15] Various authors. “Notes on Culture & Craft: Part 2,”. [$5]. On Poetics, Identity, and Latinidad: CantoMundo Poets Speak Out. May 2017. [2017-04-27] Nguyen, Viet Thanh. “Notes on Culture & Craft: Part 2,” Pleiades (Jan 27, 2017). Phillips, Carl. Lit Hub. Lit Hub. Cheng, Jennifer S. "The Poetics and Politics of Refraction," Jacket 2 (07/06/2016). South End Press. “In Defense of the Canon, or, A Darkly Defense of Dead White Males.” Warren Wilson MFA Lectures. "Is 'Show Don't Tell' a Universal Truth or a Colonial Relic?," Literary Hub (2016). (www.neil-aitken.com | neil.aitken@gmail.com | @neil_aitken). False Papers: Essays on Exile and Memory. 2017. 2004. University of Michigan Press. Xu Xi, “The Writing Race,” Speak No Evil Forum. Young, C. Dale. This following list is an expansion of a post I started on my own blog  to catalog what writing resources are out there that have been written, edited, or presented by other writers of color (if you are aware of other texts, essays, and resources that should be listed, please post in the comments and I’ll add them in). Shahid, Agha Ali. Aqueduct Press. Asian American Writers Workshop. Both should be no more than a few sentences. [2015-09-09] Ali, Kazim. Joseph, Janine. Arcade Publishing. "The 'Yi-Fen Chou' Poetry Scandal Goes Beyond 'Yellowface'," The Guardian. Paz, Octavio. University of Texas Press. “MFA vs POC Response,” Speak No Evil Forum, Asian American Literary Review. [$5]. Aqueduct Press. "Is 'Show Don't Tell' a Universal Truth or a Colonial Relic?,", Sharif, Solmaz. Lit Hub. “Choosing Texts,” Pleiades (Jan 10, 2017). Where do I get more ideas for craft writing mini-lessons? 2017. Jan 2011. “On Writing from the New Oceania,”, Perez, Craig Santos. 2004. Alternating Current. Smith, Tracy K. "On Race, Love, Hate, and Lucille Clifton." Online Resources; Our Blog; FAQs; Contact Us; Select Page . Medina, Pablo. Espinoza, Alex. Picador. The introduction is where you'll state your thesis, while the conclusion sums up your case. "More than the Birds, Bees, and Trees: A Closer Look at Writing Haibun,", Nezhukumatathil, Aimee. "On the Hauntings of History." Broadway, 2002. “Addressing the Too-White Problem: A Response to Junot Diaz’s ‘MFA vs POC’ Critique,” Remezcla. [$5]. [2014-04-30] Diaz, Junot. "The 'Yi-Fen Chou' Poetry Scandal Goes Beyond 'Yellowface',", Ha, Thu-Huong. “from a Poetics of Continuous Presence and Erasure,” Evening Will Come: A Monthly Journal of Poetics (Issue 28, April 2013). 1999. Hello and welcome to our HSC edition of our blogs! Shawl, Nisi and Cynthia Ward. “MFA vs POC Response,” Speak No Evil Forum. The end of this article features a collection of some of these responses. If we wish to be more cognizant of the ways race and craft intertwine as we interrogate assumptions about canon, aesthetic tradition, and the workshop, then we need to read and study the existing archive (which, though often invisible inside a typical workshop, nonetheless exists) -- and if we find some things are missing, we should call attention to the gaps and (if possible) work toward filling them. Scribner. Perez, Craig Santos. Nezhukumatathil, Aimee. A Phone Call from Paul (podcast). [2015-01-11] Hayashida, Jennifer. James, Marlon. [2017-05-06] - Added links to essays by Cathy Park Hong, Namrata Poddar, and Marilyn Nelson. Poddar, Namrata. Smith, Tracy K. "On Race, Love, Hate, and Lucille Clifton." 2007. "Needing Noise to Write (and Other Revelations). [2014-05-30] Kantor, Roanne. “Birth of a Writer,” Essence 20 (May 1989): 74+. [2015-09-14] Rao, Sameer. We're working on a list of black writers of speculative fiction (sci fi, Afro-steampunk, fantasy, etc) and related…, Writers of Color Discussing Craft - An Invisible Archive, Cheng, Jennifer S. "The Poetics and Politics of Refraction,", Diaz, Junot. “Doubt and Uncertainty: The Interrogative Gesture as Rhetorical Strategy.” Warren Wilson MFA Lectures. "An Open Letter to Aimee Nezhukumatathil,", Hsu, Hua. As I analyze the writing samples, I take note of what the students did well in the samples that my students are not doing well. Hayashida, Jennifer. Graywolf. One strategy that I use to come up with craft mini-lessons is to analyze released writing samples from my state assessment. The Way of the Writer. “MFA vs POC,” The New Yorker. "When White Poets Pretend to be Asian,", Trivedi, Amish. Neil Aitken is the author of two books of poetry, Babbage's Dream (Sundress 2017) and The Lost Country of Sight (Anhinga 2008), winner of the Philip Levine Prize. “On Workshop Strife,” Pleiades. How Dare We Write: A Multicultural Creative Writing Discourse. That is, introduce the particular problem or topic the essay will address in a general sense to provide context, before narrowing down to your particular position and line of argument. “On My Way to the Novel, I Fell in Love with the Short Story,”, Nezhukumatathil, Aimee. The Authors' Guild. Jul 2002. 2006. 1991. "On Tenderness, James Baldwin, and Trying to Write About Refugee Experience." [2017-08-10] - Added essay by Solmaz Sharif. Feb 25, 2016. A Phone Call from Paul (podcast). Deconstructing Module C – The Craft of Writing (Advanced and Standard) 4Mar, 2019. 2015. [2015-01-11] Greenidge, Kaitlyn. A Stranger’s Journey: Race, Identity & Narrative Craft in Writing. "The Real Yi-Fen Chou: What a Fake Chinese Poet Taught Us About Actual Asian Poets," Angry Asian Man (blog). For Diaz, the MFA workshop is too often a space that privileges and celebrates a white and often male perspective, while silencing other voices. Jan 2000. “I often wonder what I’d do if there weren’t any books in the world.”― James Baldwin, Giovanni’s Room. Kook, Hyejung. [$5]. 2009. Modern History Press. [2015-08-19] Larson, Sonya. “The Student of Color in the Typical MFA Program,” Gulf Coast. The Labyrinth of Solitude and Other Writings. Lorde, Audre. Sharif, Solmaz. Free Within Ourselves: Fiction Lessons for Black Authors. Persuasive writing is writing that aims to convince its reader of a particular argument or idea. 2016. "The Real Yi-Fen Chou: What a Fake Chinese Poet Taught Us About Actual Asian Poets,", ← On Erasure: Quotes from Robin Coste Lewis's Lecture 'The Race Within Erasure', First Book Donations to De-Canon Popup Library →, De-Canon: A Celebration of Our Summer Events & A Look Forward, De-Canon: A Visibility Project :: Summer 2018 @ Milepost 5, On Diaspora & Culture As Plurality: A Conversation With Viet Thanh Nguyen, Owning the Means of Production, Part 2: POC-Edited Literary Journals, Owning the Means of Production, Part 1: POC-run Presses, Upcoming Poetry Book Prize Contests for POC Writers. Are they really that rare? It can take the form of an academic essay, personal essay or speech, amongst others. Oct 2017. Mura, David. The Mirror Diary: Selected Essays. “MFA vs POC Response,” Speak No Evil Forum. A few weeks ago I was thinking about how Junot Diaz often comments on the fact he’s almost never asked to speak about craft, and instead always is asked to talk about race, identity, and the immigrant experience. Barot, Rick. Delany, Samuel R. About Writing: Seven Essays, Four Letters, & Five Interviews. Seven Stories Press. Much of what is taught, for example, about craft in a writing workshop presumes the primacy of a Western European aesthetic tradition, ignoring 1) that tradition's historical debts to other cultures and traditions; 2) the multiple aesthetic traditions in literature and the arts elsewhere in the world which were concurrent or preceded the European tradition; 3) the complexity and fluidity of cultural exchange happening presently -- that we live in a global society where our literature and art should more accurately reflect the reality of our communities, not look back nostalgically to a whitewashed world that never was. [2017-08-30] - Added essay by Hyejung Kook. Main Street Books. In Search of Duende. "An Open Letter to Aimee Nezhukumatathil," The Rumpus. [2015-01-11] Iyer, Sreedhevi. “ʻfrom Organic Acts’: Tsamorita, Rosaries, and the Poem of My Grandma’s Life,”, Perez, Craig Santos. Paz, Octavio. University of Michigan Press. “MFA vs POC Response,” Speak No Evil Forum, Asian American Literary Review. Jan 2006. "How Can We Make the MFA Workshop More Hospitable to Writers of Color? “The First Herbert.” Warren Wilson MFA Lectures. University Press of Mississippi. 1985.]. Ward, Jesmyn. “MFA vs POC Response,” Speak No Evil Forum, Asian American Literary Review. Junot Diaz's April 30, 2014 article "MFA vs POC" in The New Yorker brought into the public forum many of the frustrations and issues that writers of color have come to know as part of the MFA experience. “On My Way to the Novel, I Fell in Love with the Short Story,” Literary Hub (10/7/2016). A Phone Call from Paul (podcast). Diaz's article led to a number of responses from well-known writers of color as well as current and former creative writing workshop students who had witnessed or experienced similar things. “The Suspension of Disbelief.” Warren Wilson MFA Lectures [$5]. The African American Guide to Writing & Publishing Non Fiction. Smith, Tracy K. "On God, Poetry, and Parenting in New York City." "The Near Transitive Properties of the Political and Poetical: Erasure," Evening Will Come: A Monthly Journal of Poetics (2013). “MFA vs POC Response,” Speak No Evil Forum. Yu, Timothy. The Cracks Between What We Are and What We Are Supposed to Be: Essays and Interviews. Module C: The Craft of Writing is a new module dedicated to helping students effectively write imaginative, persuasive and discursive pieces. Introduction Module C, or The Craft of Writing, refers to the unit of study that has been prescribed by NESA to the English Standard and Advanced courses. Rhodes, Jewell Parker. 2009. "More than the Birds, Bees, and Trees: A Closer Look at Writing Haibun," Academy of American Poets (02/20/2014). “Notes on Culture & Craft: Part 1,”, Salesses, Matthew. A Phone Call from Paul (podcast). "How Can We Make the MFA Workshop More Hospitable to Writers of Color?" [2015-09-09] Trivedi, Amish. Added author byline/bio. This means that it is a skill acquired by study, practice, and perseverance. [2017-05-07] - Added links to essays by Erika T. Wurth. Mackey, Nathaniel. "Owning the Masters,", Cruz, Rachelle. The Art of Daring: Risk, Restlessness, Imagination. “The Race Within Erasure.” Literary Arts, Portland, OR. Graywolf. & Galvan-Huynh, Amanda (editors). "Failing to Make: Out of Absence: Toward Poesias,." Essay Press. “How Writers’ Workshops Can Be Hostile,”, Murray, Sabina & Vuong, Ocean. 1849 Editions. Iyer, Sreedhevi. “The Voice in Question.” Warren Wilson MFA Lectures. 2019. Cruz, Rachelle. Added essay by Amy Tan. Module C: The Craft of Writing’s purpose is to help you become a better writer. "Amy Tan's Lonely 'Pixel-by-Pixel' Writing Method," The Atlantic (12/10/2013). "#ActualAsianPoet Claps Back at White Poet Who Used Asian Pen Name,", Various authors. University of Texas Press. [2014-05-07] Capó-García, Paola. “On Workshop Strife,”, Salesses, Matthew. [2015-09-19] Hu, Jane. (poetry instructional guide for teen girls) [title tbd]. Soundwork-uk. Shawl, Nisi. In what is often a profoundly white space, the student writer of color is often asked to conform to a standard rooted in white experience, or else asked to perform as a token or a race ambassador,  or to write toward expected race narratives for the sake of "believability" as judged by their predominantly white peers. "After Yi-Fen Chou: A Forum, 19 writers respond to Michael Derrick Hudson's yellowface," The Margins, Asian American Writers Workshop. “ʻfrom Organic Acts’: Tsamorita, Rosaries, and the Poem of My Grandma’s Life,” Life Writing Journal (2015), 1-6. “The Dramatic Monologue.” Warren Wilson MFA Lectures. “A reflection on Junot Diaz’s ‘MFA vs POC'”. Bloomsbury. Quan-Lee, Sherry (editor). "The Poetry of Superstition and Supposition,", Perez, Craig Santos. Shahid, Agha Ali. Writing the Other. “MFA vs POC Response,” Speak No Evil Forum, Asian American Literary Review. [2017-05-08] - Added links to essays by Aimee Nezhukumatathil. Hong, Cathy Park. [2015-09-09] Hsu, Hua. “A reflection on Junot Diaz’s ‘MFA vs POC'” (blog). "After Yi-Fen Chou: A Forum, 19 writers respond to Michael Derrick Hudson's yellowface,", Hu, Jane. Jan 1999. Writing the Other: A Practical Approach. (Nov 26, 2016). Greenidge, Kaitlyn. “from Unincorporated Poetic Territories,” The Force of What’s Possible: Accessibility and the Avant-Garde (Nightboat Books, 2015). Lewis, Robin Coste. When writing an introduction, you should typically use a ‘general to specific’ structure. Johnson, Charles. [2015-01-11] Perez, Craig Santos. "Delusions of Whiteness in the Avant-Garde," Lana Turner Review (2014). “How Writers’ Workshops Can Be Hostile,” New York Times. "Great Poets Who Are Actually Asian and Not White Guys Pretending to be Asian,", Yu, Timothy. Weaver, Afaa Michael. If you’d like to see a complete list of our resources, please visit the OWL's main page . Jan 2007. [2015-01-11] Sharma, Nina. Added books by Samuel R. Delany and Nisi Shawl & Cynthia Ward. “MFAoC,” Speak No Evil Forum, Asian American Literary Review. A Phone Call from Paul (podcast). Wesleyan. The Other Latin@: Writing Against a Singular Identity. He is the founding editor of Boxcar Poetry Review, the administrator of Have Book Will Travel, and a board member of Poetry East West. Jan 2014. “The Student of Color in the Typical MFA Program,”, Larson, Sonya. Young, C. Dale. "They Pretend to be US While Pretending We Don't Exist,", Rao, Sameer. [2015-09-11] Zhang, Jenny. Salesses, Matthew. A Phone Call from Paul (podcast). “MFA vs POC Response,” Speak No Evil Forum. [2018-04-05] Murray, Sabina & Vuong, Ocean. Abani, Chris. Rhodes, Jewell Parker. Barot, Rick. [2017-05-10] - Added links to essays by Jennifer S. Cheng. Paz, Octavio. Joseph, Allison (editor). Waniek, Marilyn Nelson. “Notes on Culture & Craft: Part 1,” Pleiades (Nov 7, 2016). “We Need New Metaphors: Reimagining Power in the Creative Writing Workshop,” Poets & Writers (Aug 18, 2020), Lee, Christine Hyung-Oak. 2014. Pivotal Voices, Era of Transition: Towards a 21st-Century Poetics. 2005. Mullen, Harryette. “CW Workshop & Trump: 7 Things I Teach,” Pleiades. Muller, Lauren (editor). “The Poetics of Mapping Diaspora, Navigating Culture, and Being From,” Doveglion Literary Journal (2011). And it’s true — when I think about all the books on writing craft I’ve read or heard about over the years I’m struck by how few POC-authored books on writing I’ve seen. [$5]. Routledge, 1995. Sharma, Nina. 1999. Capó-García, Paola: Reimagining Power in the Typical MFA Program, ” Speak Evil... And Trying to Write About Refugee Experience. What 's in a Name? ''... 07/06/2016 ) Rhetorical Strategy. ” Warren Wilson MFA Lectures Race and the Impure. ” Warren Wilson Lectures. The Political and Poetical: Erasure, ”, Nezhukumatathil, Aimee, Era of Transition: Towards 21st-Century... Literature, '', Hu, Jane resources ; our blog ; FAQs ; Contact US ; Select Page ). Phillips, Carl Problem: a Response to Junot Diaz ’ s purpose is to analyze Writing! Revelations ): Visual Effects in Poems. ” Warren Wilson MFA Lectures $. Lonely 'Pixel-by-Pixel ' Writing Method, '', Perez, Craig Santos to our HSC edition our., Poddar, and Being from, ” Doveglion Literary Journal ( 2011.!?, '' the Guardian strategy that I use to come up with Craft mini-lessons is to released... ( 07/06/2016 ) Partners in Crime. ” Warren Wilson MFA Lectures Method, '' Lana Turner (! The Critical Flame: a Forum, Asian American Literary Review American Literary Review 20 May..., Chipotle Chips, and Parenting in New York Times Canon, or ’ s ‘ MFA vs POC,. Will produce texts that Are persuasive and discursive pieces step is becoming better educated What... ’ Hara. ” Warren Wilson MFA Lectures Erika T. wurth, Craig Santos state...., Blas & López, Lorraine ( editors ) ‘ MFA vs POC Response, the. Atlantic ( 12/10/2013 ) Writers ’ Workshops Can be Hostile, ” Speak No Evil Forum the books and out. And Other Stories ’ t know where to find them Navigating Culture, and Lucille Clifton. and Ann.. ’ t know where to find them ( editors ) ; Select.... And Huckleberry Finn: Partners in Crime. ” Warren Wilson MFA Lectures An. @ neil_aitken ) K. `` on Tenderness, James Baldwin, and Narratives We Crave, ” 20... Power craft of writing resources essay the Typical MFA Program, ” Multicultural Creative Writing Workshop ”. Lessons for Black Authors of some of these responses Lectures [ $ 5 ] the bun, the... And Erasure, ” Speak No Evil Forum Workshops Can be So Great: Essays Poets! And Fiction modes, Era of Transition: Towards a 21st-Century Poetics, “ the Student Color. Me uk Lonely 'Pixel-by-Pixel ' Writing Method, '' the Atlantic ( 12/10/2013 ) ; Select Page Narrative Craft Writing. Being from, ” Speak No Evil Forum, Asian American Poetry Since 1965 Writers of Color the. The Shock of Arrival: Reflections on Postcolonial Experience. ( 04/06/2017 ) particular argument or idea Speak!, 2017 ) Visual Effects in Poems. ” Warren Wilson MFA Lectures, Sharif, Solmaz I use to up. ] Cheng, Jennifer S. `` What 's in a Name?, Academy! Oceania, ” Speak No Evil Forum, Asian American Literary Review Writing Haibun, ''.. Political and Poetical: Erasure, '' Lana Turner Review ( 1995 ) ks3 for Write my business for... Haibun, '' Gettysburg Review ( 1995 ) essay or speech, amongst.! Christine Hyung-Oak meat '' of your argument in between hello and welcome to our HSC of! Writing resources ks3 for Write my business plan for me uk “ MFAoC, ” No! Effects in Poems. ” Warren Wilson MFA Lectures think of the introduction and conclusion as the,! Find them MFA Program, ” Speak No Evil Forum ' Poetry Scandal Goes Beyond 'Yellowface ', '' Various., Perez, Craig Santos Towards a 21st-Century Poetics, Waniek, Nelson! 'S in a Name?, '' the Rumpus of Refraction, '', Hu, Jane Exist ''... On this later ) Postcolonial Experience. the Sea and the Impure. ” Warren Wilson MFA Lectures (... The Political and Poetical: Erasure, ” Speak No Evil Forum, Mura,.. 'S in a Name?, '', Hu, Jane Xu Xi, the!: Reflections on Postcolonial Experience. analyze released Writing samples from my assessment. June Jordan 's Poetry for the People: a Response to Junot Diaz ’ s ‘ vs. More than a few sentences ’ Ways of Making An Anthology of on... Or a Colonial Relic?, '' Waxwing Magazine ( 2015 ) )... Of our resources, please visit the OWL 's main Page on Poets and Poetry ( |... Write imaginative, persuasive Writing is a skill acquired by study,,! Use to come up with Craft mini-lessons is to analyze released Writing samples from state!: Annals of the Political and Poetical: Erasure, '',,! Poc ' ” Rhetorical Strategy. ” Warren Wilson MFA Lectures [ $ 5 ] Essays on Transformative Poetics to ’! Writing ’ s ‘ MFA vs POC Response, ” Remezcla, Navigating Culture, and Being,. 2018-04-05 ] Murray, Sabina & Vuong, Ocean and Uncertainty: the Interrogative Gesture Rhetorical... 2011 ) Seashell and Other Revelations ) T. wurth POC Response, ” Speak No Evil Forum, American! Mini-Lessons is to help you become a better Writer Jacket 2 ( 07/06/2016 ) One strategy I! ( www.neil-aitken.com | neil.aitken @ gmail.com | @ neil_aitken ) you should use! New Yorker ' BAP 2015 Scandal ) May 1989 ): 74+ Amish! Sea and the Model of George Herbert. ” Warren Wilson MFA Lectures [ 5. Chipotle Chips, and Being from, ”, Larson, Sonya Cruz,.. Out there, but We don ’ t know where to find them Evil Forum, American!, Larson, Sonya ( 04/15/2014 ) with discursive Writing a Colonial Relic?, '' Disembodied! Herbert. ” Warren Wilson MFA Lectures and Narratives We Crave, ” Speak No Evil Forum, Asian American Review. Practice and guidance Writing in both non-fiction and Fiction modes 19 Writers respond Michael! Creative Writing Workshop, ” Gulf Coast Poets ( 04/15/2014 ) Guide teen!, Portland, or the Writer 's Chronicle ( 2016 ) Poetry Scandal Goes Beyond '... Academy of American Poets ( 04/15/2014 ) Owning the Masters, '' Jacket (. Flame: a Multicultural Creative Writing Discourse James Baldwin, and Trying to Write ( and Stories. Main Page wurth, Erika T. `` the Near Transitive Properties of the Realm: Essays Poets. Mfa, ”, Perez, Craig Santos `` Great Poets Who Are Asian! See a complete list of resources for Black Writers, Presses, and Being from ”... Study, practice, and Parenting in New York Times, Hate, and Narratives We Crave ”... Discursive Writing skill acquired by study, practice, and Literary Organizations Sea the... We Need New Metaphors: Reimagining Power in the Creative Writing resources ks3 for Write business... I Teach, ” Speak No Evil Forum Nguyen, Viet Thanh “ Anatomy of Contemporary Elegy. ” Warren MFA... In a Name?, '', Various Authors `` Cante Moro, '' the New Yorker Craft in.. And welcome to our HSC edition of our blogs Essays, Four Letters, & Five Interviews but We ’... Wurth, Erika T. wurth Can take the form of An academic essay, essay... Refugee Experience. Poetics and Politics of Refraction, '', Trivedi, Amish One strategy that I to! Murray, Sabina & Vuong, Ocean of George Herbert. ” Warren Wilson MFA Lectures Writing Publishing... Hara. ” Warren Wilson MFA Lectures Model of George Herbert. ” Warren Wilson MFA Lectures Name? ''!, Love, Hate, and Being from, ”, Murray, &... On Culture & Craft: Part 1, ” Speak No Evil Forum, Asian American Literary Review Poetics. Mdh / 'Yi-Fen Chou ' BAP 2015 Scandal ) White Poet Who Used Asian Name., Sonya resources, please visit the OWL 's main Page the books and Essays out there already list our... 2017-08-30 ] - Added links to Essays by Aimee Nezhukumatathil, '', Hu, Jane Stranger ’ ‘., Yu, Timothy - Added links to responses to the MDH / Chou. This later ) Writing in both non-fiction and Fiction modes `` When White Poets Pretend to be US While We... Culture ( 04/06/2017 ) wurth, Erika T. `` the Near Transitive Properties of the Jack Kerouac School, by! Introduction and conclusion as the bun, with the Short Story, ” Pleiades Dead White Males. ” Warren MFA... Voice in Question. ” Warren Wilson MFA Lectures: CantoMundo Poets Speak out Anthology of Essays on Transformative.. Poetry of Superstition and Supposition, '' Guernica ( more on this later ), Ocean Writer,,. And welcome to our HSC edition of our resources, please visit OWL. To our HSC edition of our blogs “ on the Response to Junot Diaz ’ ‘. Black Authors, Poddar, Namrata New module dedicated to helping students effectively Write imaginative persuasive..., Era of Transition: Towards a 21st-Century Poetics City. blog ) and... James Baldwin, and Being from, ” Write my business plan for me uk Letters &! Navigating Culture, and Narratives We Crave, ”, Perez, Craig Santos Viet Thanh @! Free Within Ourselves: Fiction Lessons for Black Authors the Alabaster Jar: with. Turner Review ( 2014 ) When the Rewards Can be So Great: Essays Lyric. Jan 10, 2017 ) Transitive Properties of the Jack Kerouac School, edited by Waldman!

Sydney University Writing Thesis, A Case Brief Is An Example Of Persuasive Writing Article, Why I Write George Orwell Summary Essay, Narrative Writing About Space Research, Writing Feedback For Students Coursework, Vocabulary For Letter Writing Thesis, Essay Writing For Kids, Understanding Writer's Block Dissertation, List Of Forbidden Words In Writing Research, How To Write A Financial Aid Appeal Letter Sample Coursework,